In the ever-evolving landscape of international cinema, “Beetlejuice Beetlejuice” has secured its position as a formidable contender at the box office. Following its successful world premiere in Venice, the film amassed an impressive $28.7 million from overseas markets, resulting in a cumulative international revenue of $76.3 million. This figure placed the film’s global total at a remarkable $264.3 million as of Sunday, showcasing a robust performance that many titles struggle to maintain. The notable 44% drop from the previous weekend is commendable, especially for a production of its nature, suggesting that audience interest remains strong despite initial release excitement waning.
The film’s success was further enhanced by an additional $4.7 million contributed through IMAX screenings in its second frame. Such a figure highlights the importance of premium formats in boosting ticket sales and attracting cinema-goers who seek immersive experiences. Notably, “Speak No Evil,” another Universal/Blumhouse production, made its overseas debut with a strong $9.3 million across 73 markets. This initial performance aligns well with trends seen in recent horror releases, suggesting a healthy appetite for the genre among global audiences.
Interestingly, two vastly different genres have demonstrated surprising continuity at the box office. The romantic drama “It Ends with Us,” from Columbia Pictures/Wayfarer Studios, has reported a significant take of $7.3 million from 61 markets this session, bringing its total to $180.6 million internationally and $325.5 million worldwide. Meanwhile, “Alien: Romulus,” a sci-fi horror from 20th Century Studios/Disney, has not only crossed the $300 million mark but also reached $330.7 million globally. As both films continue to perform well, they indicate a shifting dynamic where varying genres can coexist successfully within the marketplace.
As for “Alien: Romulus,” it has shown resilience in markets like China, Japan, and Korea, generating $6.3 million in its latest overseas frame, which is indicative of its growing fandom. Not only did it claim $104.2 million from China alone, showcasing the local appetite for international titles, but it has also maintained steady box office performance across other territories.
On the other end of the spectrum, “Deadpool & Wolverine” remained a powerhouse with an additional $5.7 million in international earnings, bringing its overseas total to a staggering $683.5 million and a global toll of $1.305 billion. Such figures place it among an elite group of films that have ever crossed the $1.3 billion mark at the box office, underscoring its widespread appeal and franchise strength.
The current box office landscape indicates a vibrant and diverse array of films appealing to various demographics. As “Beetlejuice Beetlejuice” continues to thrive in the international market and other horror counterparts find their footing, it is clear that both established franchises and innovative new releases are shaping the future of cinematic success. The ongoing competition, coupled with audience engagement, indicates a promising and dynamic moviegoing experience for the foreseeable future.