In the realm of cinema, few moments capture the essence of life quite like the chaotic yet beautiful depiction of birth. Andrew Garfield, the star of the recently released romantic dramedy “We Live in Time,” delves into one of the film’s most frenetic scenes in a candid interview with The New York Times. The sequence, which sees a labor take place in a gas station bathroom, presents an intricacy rarely explored in film, blending authenticity with unexpected humor. Garfield’s insights into the shooting process illuminate the contradictions between comedy and trauma often inherent in life’s significant moments, offering a fresh perspective on the portrayal of sensitive subjects.
The birth scene is crafted as an action-packed event reminiscent of classic adventure films. Garfield describes it as “the Indiana Jones sequence,” which encapsulates the sense of urgency and unpredictability that accompanies childbirth. The narrative does not merely explore the physicality of birth but also weaves in the emotional turmoil experienced by the characters. Set against a backdrop filled with stalled vehicles and the pressures of modern life, the scene challenges the notion of where and how significant events unfold. By choosing an unusual setting—a gas station bathroom—director John Crowley emphasizes the raw unpredictability of life itself.
Garfield’s commitment to portraying authenticity in his character, Tobias, shines through as he describes the collaborative efforts that went into crafting the scene. Screenwriter Nick Payne drew inspiration from personal experiences, adding layers of realism that evoke genuine emotion. Transforming a mundane location into a site of profound human experience required meticulous preparation, with the detailed recreation of a gas station bathroom on a soundstage. Filming for this pivotal scene extended for two days, illustrating the dedication of the cast and crew to capture the essence of the moment.
The incorporation of a weeks-old baby into the scene further amplifies the authenticity of the portrayal. Garfield’s humorous anecdotes about the unanticipated “gifts” from the baby highlight the unpredictable nature of life’s moments, infusing the scene with an unexpected charm. Rather than viewing these occurrences as nuisances, Garfield embraces them as elements that contribute richness to the storytelling. “Honestly, those moments were the most beautiful because you’re just like, ‘Oh God, this is life, what a privilege,’” he reflects. Such sentiments illustrate the film’s acknowledgment of life’s unpredictable nature and the beauty of fleeting moments.
Despite the chaotic environment, Garfield emphasizes the significance of the emotional connection between him and co-star Florence Pugh. His candid admission of primarily acting in relation to Pugh’s presence underscores the complexities of human relationships portrayed in the film. After shooting, Garfield and Pugh engaged in discussions to process the experience, showcasing the importance of reflection in understanding their roles. This intimacy allows both actors to delve deeper into their characters’ psyche, reinforcing the film’s exploration of love amid life’s trials and tribulations.
In “We Live in Time,” Andrew Garfield’s reflections reveal the many layers of experience that inform the film’s narrative. From chaos and humor to intimacy and authenticity, the chaotic birth sequence becomes a powerful metaphor for the unpredictability of life itself, encapsulating both the joy and struggle that accompany it. This insightful portrayal serves as a reminder that even amidst turmoil, there exists a profound sense of privilege in experiencing life’s raw moments.