Box Office

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As the calendar inches toward December 31, 2026, an important transition looms over Canada’s premier theatrical institution, Cineplex. After a remarkable tenure, President and CEO Ellis Jacob will retire, marking not only the conclusion of nearly four decades of dedicated service but also the end of an era characterized by innovation and resilience in an
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In an age where celebrity is often intertwined with transactional relationships and fleeting headlines, Kate Hudson’s upcoming recognition by the Will Rogers Motion Picture Pioneers Foundation stands out as a beacon of hope and motivation. On October 8, 2025, Hudson will be honored with the illustrious Pioneer of the Year Award at The Beverly Hilton,
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Amazon’s Prime Video has once again proven that well-crafted comedy has the power to resonate across diverse audiences. “You’re Cordially Invited,” featuring the comedic talents of Reese Witherspoon and Will Ferrell, has catapulted to an astounding 50 million viewers globally since its release on January 30. This astonishing viewership, compiled over a period of just
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The cinematic landscape is buzzing with excitement as Sony’s much-anticipated film “28 Years Later” is set to hit theaters, boasting a preview gross that reportedly exceeds $5 million. While this number seems promising, it’s key to note that horror films often post strong early revenue, which can mislead initial expectations. For instance, comparing it outright
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IMAX, a leader in immersive cinematic experiences, has appointed Heather Morgan as its new Head of Global Distribution, marking a strategic shift as the company continues to evolve in the competitive landscape of the film industry. Morgan succeeds Craig Dehmel, who served the company for an impressive nine years and significantly shaped IMAX’s trajectory during
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This year’s specialty box office is resonating with audiences as bold documentaries and gripping dramas take center stage, enticing viewers with rich narratives and powerful themes. Notably, Magnolia Pictures’ “Prime Minister,” a documentary hailing from the Sundance Film Festival, stands tall amidst this vibrant lineup. Directed by Michelle Walshe and Lindsay Utz, this compelling film
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In a significant movement within the entertainment analytics landscape, The Quorum—a research and tracking firm founded by the savvy David Herrin—has transitioned under the umbrella of Greenlight Analytics. This acquisition marks an important strategic alignment for both companies, merging The Quorum’s renowned forecasting capabilities with Greenlight’s fresh approach to data analytics. As the industry grapples
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In a remarkable demonstration of audience excitement, 28 Years Later, the latest installment in the iconic horror franchise, has shattered prior records with its extraordinary advance ticket sales. Just 24 hours after its release, the film raced ahead of its competitors, amassing an unparalleled interest among horror enthusiasts. This notable surge in pre-sales eclipses not
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In a decisive moment for California’s film and television industry, the California Senate has overwhelmingly backed Senate Bill 630 with a remarkable 34-1 vote. This legislative effort seeks to reshape the state’s Film and Television Tax Credit Program, a critically important tool in maintaining California’s status as a premier destination for filmmaking. The only dissenting
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Sony’s latest installment in the beloved Karate Kid franchise, titled *Karate Kid: Legends*, has sparked significant interest, grossing an impressive $2.3 million from previews that kicked off Thursday at 2 p.m. This film not only attempts to capture the nostalgia of longtime fans, featuring Ralph Macchio’s iconic Daniel-san and Jackie Chan’s Mr. Han, but also
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In a captivating shift into the horror genre, Vietnamese cinema steps onto the international stage with “Detective Kien: The Headless Horror.” Under the adept direction of Victor Vu, renowned for his previous critically acclaimed works, the film has quickly become the pinnacle of horror thrillers in Vietnam. Set against the rich backdrop of the Nguyen
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Broadway is a realm that intertwines art and commerce, especially prominent during the critical months leading up to the Tony Awards. As the June 8 awards ceremony approaches, the dynamics of box office performance fluctuate significantly, reflecting not just the nominations themselves, but the broader public sentiment towards these productions. In this analysis, we will
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The African film industry is undergoing a renaissance, and central to this vibrant movement is the Democratic Republic of Congo, with its rich cultural and historical backdrop. The recent acquisition of the pan-African rights to the historical thriller “Rumba Royale” by Pathé Touch Afrique is a significant step in elevating Congolese cinema on the continental
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Warner Bros. is experiencing a vibrant surge in box office success, primarily due to the much-anticipated release of New Line Cinema’s horror reboot, *Final Destination: Bloodlines*. Early reports indicate that the film amassed approximately $4.6 million during its Thursday night previews. This remarkable figure is only slightly behind the studio’s previous horror flick, *Sinners*, which
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The return of the “Final Destination” franchise after a 14-year hiatus has generated unprecedented anticipation, as demonstrated by “Bloodlines,” the latest installment from New Line Cinema. This horror sequel is eyeing a remarkable opening weekend revenue range of $35M to $40M across approximately 3,400 theaters. With a global projection of around $70M, this film is
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In a recent surge at the global box office, Marvel Studios’ *Thunderbolts* has amassed an impressive $272.2 million following its second week. This anchor of Marvel’s cinematic universe continues to draw audiences, enjoying a robust international performance with a cumulative total of $143.7 million—a testament to its enduring popularity. Although the film experienced a 52%
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As Marvel Studios’ latest venture, *Thunderbolts*, takes to the big screen, it showcases the iconic franchise’s enduring power over the box office. Estimated to rake in around $30 million during its second weekend, the film is projected to experience a 60% drop from its impressive opening figures. Such a decline, while typical for most blockbusters,