Box Office

In an era where the boundaries between various artistic expressions are increasingly fluid, Atom Egoyan’s upcoming film, *Seven Veils*, emerges as a striking exploration of the interrelatedness of film and opera. Scheduled for a theatrical release in the U.S. on March 7, the film features the talented Amanda Seyfried in the role of Jeanine, a

As moviegoers gathered for the Martin Luther King Jr. weekend, the box office revealed an intriguing landscape, particularly for independent films. While major blockbusters may have taken a backseat, indies surged forward, showcasing a diverse range of cinematic offerings that captivated audiences. This weekend’s performances not only exhibited the resilience of smaller productions but also

The Martin Luther King Jr. weekend, traditionally a prominent time for film releases, appears to be headed for a lackluster showing this year at the box office. Despite the best efforts of studios, including the anticipated launch of Sony’s R-rated comedy, *One of Them Days*, projections suggest this weekend may not be overly exciting for

In an era where cinematic narratives frequently delve into apocalyptic scenarios, “When I’m Ready” stands out as a romantic thriller poised to capture the hearts of audiences, while maintaining an underlying commentary on human connection in the face of despair. This film, set for a North American theatrical release on February 7, 2025, by Quiver

In a disheartening revelation for the French film industry, Unifrance announced an 11% drop in international box office revenues for French cinema in 2024. Despite garnering 33.4 million admissions overseas and grossing approximately €222.8 million ($227.09 million) within the first 50 weeks of the year, the decline indicates a larger trend affecting not only France

As the release date for Disney/Marvel Studios’ highly anticipated film, *Captain America: Brave New World*, draws nearer — just five weeks away as of now — industry experts are buzzing about the film’s potential box office performance. Scheduled to premiere on February 14, coinciding with the four-day Valentine’s Day/Presidents Day weekend, it’s projected to generate

For director Sean Baker, the cinematic experience transcends mere financial gain. It is a profound artistic endeavor defined by the medium of celluloid itself. Baker’s latest project, *Anora*, exemplifies his commitment to maintaining the traditional essence of filmmaking. He openly critiques the rise of digital streaming platforms, asserting that the cinematic experience must remain rooted

Lionsgate’s latest offering, *Den of Thieves 2: Pantera*, kicked off its theatrical journey with a promising $1.35 million in preview earnings on a Thursday night, beginning at 6 PM. This figure represents a 42% increase over the original film’s preview earnings of $950,000 back in 2018. While this surge is commendable, it falls shy of

The musical adaptation of “Wicked” has made a significant mark in the realm of cinematic entertainment, particularly with its recent foray into Premium Video on Demand (PVOD). As reported by Universal Pictures, in its first week alone, the film generated an astounding $70 million. This impressive debut underscores the film’s immense popularity and the effective

The Pacific Palisades wildfire has significantly disrupted the vibrant cinema culture in Los Angeles, a city renowned for its cinematic offerings and home to the largest box office in the United States. As the flames roared through the area, approximately ten key cinemas were forced to close their doors, highlighting the delicate connection between environmental