In a captivating shift into the horror genre, Vietnamese cinema steps onto the international stage with “Detective Kien: The Headless Horror.” Under the adept direction of Victor Vu, renowned for his previous critically acclaimed works, the film has quickly become the pinnacle of horror thrillers in Vietnam. Set against the rich backdrop of the Nguyen
Box Office
As the sun sets on Memorial Day weekend, Hollywood appears ready to reclaim its rightful position at the box office with an electrifying lineup. After last year’s disappointing outing led by the lackluster reception of “Furiosa,” studios are now keenly aware that this holiday weekend should be about cinematic spectacle. With the debut of two
Broadway is a realm that intertwines art and commerce, especially prominent during the critical months leading up to the Tony Awards. As the June 8 awards ceremony approaches, the dynamics of box office performance fluctuate significantly, reflecting not just the nominations themselves, but the broader public sentiment towards these productions. In this analysis, we will
The African film industry is undergoing a renaissance, and central to this vibrant movement is the Democratic Republic of Congo, with its rich cultural and historical backdrop. The recent acquisition of the pan-African rights to the historical thriller “Rumba Royale” by Pathé Touch Afrique is a significant step in elevating Congolese cinema on the continental
Warner Bros. is experiencing a vibrant surge in box office success, primarily due to the much-anticipated release of New Line Cinema’s horror reboot, *Final Destination: Bloodlines*. Early reports indicate that the film amassed approximately $4.6 million during its Thursday night previews. This remarkable figure is only slightly behind the studio’s previous horror flick, *Sinners*, which
Lionsgate’s upcoming release, *From the World of John Wick: Ballerina*, is setting the stage for an action-packed debut come June 6. Directed by Len Wiseman and featuring Ana de Armas in the titular role, this film is being closely monitored as it gears up for a projected opening weekend gross between $35 million and $40
The return of the “Final Destination” franchise after a 14-year hiatus has generated unprecedented anticipation, as demonstrated by “Bloodlines,” the latest installment from New Line Cinema. This horror sequel is eyeing a remarkable opening weekend revenue range of $35M to $40M across approximately 3,400 theaters. With a global projection of around $70M, this film is
In what can only be described as a remarkable renaissance, Broadway has shattered its own post-pandemic records, racking up a staggering $1,801,023,860 in box office receipts for the 2024-2025 season thus far. This figure surpasses the previous record set during the pre-pandemic season of 2018-2019, demonstrating not just resilience but a vibrant return to form
In a recent surge at the global box office, Marvel Studios’ *Thunderbolts* has amassed an impressive $272.2 million following its second week. This anchor of Marvel’s cinematic universe continues to draw audiences, enjoying a robust international performance with a cumulative total of $143.7 million—a testament to its enduring popularity. Although the film experienced a 52%
As Marvel Studios’ latest venture, *Thunderbolts*, takes to the big screen, it showcases the iconic franchise’s enduring power over the box office. Estimated to rake in around $30 million during its second weekend, the film is projected to experience a 60% drop from its impressive opening figures. Such a decline, while typical for most blockbusters,
In a transformative move for the South Korean film industry, the anticipated merger between Lotte Cinema and Megabox is poised to redefine the
AMC Entertainment faced a tumultuous first quarter of 2025, marked by declining revenues and widening net losses. With a net loss ballooning to $202 million—up from $163 million in the same quarter last year—CEO Adam Aron reminds stakeholders that these results are a misleading representation of the overall health of the cinema industry. While the
In a significant move that signals a fresh vision for independent cinema, IFC Films has announced its rebranding to Independent Film Company (IFC). This change isn’t merely cosmetic; it represents a profound strategy to enhance its visibility within the sprawling network of AMC Networks. Under the new identity and the newly minted IFC Entertainment Group,
In an era where cinematic storytelling often leans towards escapism and entertainment, the upcoming release of Brandt Andersen’s film *The Strangers’ Case* sets a profound precedent. Scheduled for a limited theatrical unveiling on December 25, expanding into January, this feature drama is not just another film; it’s a voice for those often silenced in the
The eagerly anticipated comedy-action film, *Three Bags Full: A Sheep Detective Movie*, produced by Amazon MGM Studios, has made waves with its recent shift from February 20, 2026, to a prime slot on November 13, 2026. This strategic adjustment is a clear indication of the studio’s intent to attract family audiences during the pre-Thanksgiving corridor,
The arrival of Marvel Studios’ latest installment, *Thunderbolts*, is generating buzz across the film industry, with reports indicating an impressive opening night tally of approximately $11 million. Drawing insights from non-Disney sources, this figure positions the film favorably, hinting at a potential resurgence in the summer box office following several months of cinematic uncertainty. Marvel
As this year’s Memorial Day weekend approaches, film enthusiasts are in for a treat with two blockbuster releases set to dominate the box office. Disney’s fresh live-action adaptation of the beloved 2002 animated classic, *Lilo & Stitch*, is projected to rake in an impressive $120 million over the four-day holiday, while Paramount’s *Mission: Impossible –
As Hollywood continues to reel from the evolving landscape of film distribution and revenue models, the year 2024 has surprisingly shone a spotlight on horror films as key players in turning profits. The focus of the entertainment industry is gradually shifting from the traditional box office model to considering downstream revenues, especially as streaming services
As the year 2024 unfolds, the returning Deadline’s Most Valuable Blockbuster tournament sheds a spotlight on a critical aspect of cinema’s evolving ecosystem—the aftermath of theatrical releases. The significance of a film transcends its box office performance; downstream revenues and various distribution windows now redefine what it means to be successful in the industry. While
Universal Pictures and Illumination Entertainment have once again demonstrated their prowess in the animation sector with “Despicable Me 4.” This franchise has successfully captured the hearts of audiences globally for over 15 years, and its most recent installment not only reinforces its appeal but also significantly contributes to its legacy. Surpassing the $5 billion mark
The weekend box office showcased an impressive array of cinematic experiences, with powerhouse events capturing the attention of audiences. Two standout films, Pink Floyd at Pompeii and The Met: Live in HD’s Le Nozze di Figaro, not only took center stage but highlighted the resilience and appeal of the arts in contemporary cinema. As various
In an era dominated by digital consumption, the movie industry is witnessing a seismic shift in how success is gauged. Gone are the days when box office receipts alone dictated a film’s triumph. With the rise of streaming platforms and viewer engagement metrics, today’s cinematic narratives are more complicated and multifaceted than ever. The recent
The film industry has undergone a seismic shift, evolving beyond traditional metrics of box office performance. As movies are no longer judged solely on their immediate ticket sales, the landscape has become multifaceted, demanding a deeper understanding of how downstream revenues, merchandise sales, and digital distribution contribute to a film’s overall success. In this context,
In a shocking turn of events, Hollywood seems to have reinvented itself and rekindled the interest of a generation. As film lovers embrace the thrill of the latest releases, two projects are turning heads and raking in revenue: “A Minecraft Movie” and the original thriller “Sinners.” Together, these films are blazing a trail toward nearly
In a landscape rife with uncertainty and rapid change, businesses must continually adapt to maintain their momentum. Rich Gelfond, the CEO of Imax, exemplifies this adaptability, recently addressing the tumult generated by trade tariffs and geopolitical tensions between the United States and China. Amidst this backdrop, Gelfond’s assertion that the core strength of Imax’s business
Broadway’s recent box office report is nothing short of extraordinary, revealing a resonant surge in both attendance and revenue that may very well redefine the theatre landscape for years to come. As the curtain fell on the week ending April 20, a stunning $50,874,940 tallied across 40 productions—a whopping 47% increase compared to the same
Warner Bros’ Sinners has redefined the landscape of horror cinema by recording an unprecedented A CinemaScore – a remarkable feat that embodies a significant departure from the norm within the genre. Traditionally, horror films face an uphill battle in receiving favorable audience scores. For over four decades, the CinemaScore system has shown that even a
In what can only be described as a monumental kickoff, Warner Bros’ latest venture, Sinners, confident at over $90 million, has made a gripping entrance into the cinematic landscape. The period vampire film raked in an impressive $4.7 million during its Thursday night previews, starting at a surprisingly early 3 PM. This remarkable figure not
Qasim Basir’s upcoming feature, *To Live and Die and Live,* is set to hit theaters on May 16, 2023, and it promises to be a remarkable cinematic experience that roots itself deeply in the heart of Detroit. Following its premiere at the Sundance Film Festival, where it garnered an impressive 89% score on Rotten Tomatoes,
With the tranquil aura of Holy Week in the backdrop, Warner Bros is bravely taking a calculated risk with “Sinners,” a cinematic endeavor expected to land at over $90 million. The film, which embodies a blend of fervor, ambition, and the lure of nostalgia, could surprisingly generate a substantial opening weekend income—projected to exceed million
The recent strike at two NYC Alamo Drafthouse locations represents a significant moment in labor relations within the film industry. When over 70 workers were laid off without negotiation, the workers, organized under the banner NYC Alamo United, quickly mobilized to demand reinstatement and fair negotiating practices. The unilateral decision by Alamo Drafthouse—a chain now
The world of cinema distribution is evolving, and the recent appointment of Andrew Carlin as co-head of theatrical distribution at Variance Films marks a significant strategic shift. With a decade of experience at Oscilloscope Laboratories, Carlin brings a wealth of industry knowledge and expertise that could redefine Variance’s approach to distributing films. His partnership with