Box Office

Mubi, the popular streaming platform, has recently appointed Mark Boxer as their U.S. Head of Distribution. This strategic move is intended to enhance Mubi’s presence in the American market and elevate their distribution capabilities to new heights. Mark Boxer is a seasoned veteran in the film distribution industry, with over two decades of experience under

Jane Schoenbrun’s I Saw Then TV Glow continues to impress at the box office, with an estimated $195k+ on 21 screens in its second week of release. The A24 film has garnered attention from a passionate fan base, particularly among young, male, and LGBTQ+ audiences. The director’s Breakthrough Artist award further solidifies the success of

Fans of the 28 franchise can rejoice as the next installment, titled 28 Years Later, is set to hit theaters on June 20, 2025. Directed by Danny Boyle and written by Alex Garland, this highly anticipated sequel is sure to please die-hard fans and newcomers alike. With the return of original producer Andrew Macdonald and

Sources have revealed that the highly anticipated film, “Kingdom of the Planet of the Apes,” has had a strong start with previews raking in around $6.5 million. This includes money earned on Thursday night, which began accumulating at 3 PM, as well as an additional $1.6 million from fan shows on Wednesday evening. These numbers

Monkeypaw Productions, known for its unique and thought-provoking projects, is set to release Justin Tipping’s Him in theaters on Friday, Sept. 19, 2025. This highly anticipated film is currently the only wide release scheduled for that weekend, making it an event in itself. Him is the second Universal title on the calendar for that month,

Disney CEO Bob Iger recently announced the company’s decision to limit its output of Marvel movies to “two good films” a year, with a maximum of three. This strategic shift comes in response to high-profile misses in the Marvel franchise that have sparked conversations about “superhero fatigue.” In addition to reducing the number of films,

The journey to bring the beloved toy Barbie to life on the big screen was a tumultuous one. Multiple studios and producers were attached to the project over the years, with various actors considered for the lead role. However, it wasn’t until Warner Bros took over the project and cast Margot Robbie as Barbie that

A24’s recent release, I Saw The TV Glow, directed by Jane Schoenbrun, made quite an impact with its limited opening weekend. Grossing $116.3k at four theaters in New York and LA, the film achieved a remarkable per screen average of $29k. This ’90s era trans coming-of-age horror-thriller marks Schoenbrun’s second outing after the success of

The box office summer season kicked off with Universal’s release of the Ryan Gosling-Emily Blunt action comedy “The Fall Guy.” Despite high expectations, the movie only managed to bring in $3.15M from showtimes starting at 5 p.m. and Wednesday advance screenings. The film is projected to earn around $35M to $40M by the end of

In the wake of the Covid pandemic, the entertainment industry witnessed a significant shift in how movies were released. Theatrical day-and-date models were widely embraced by studios when cinemas were closed, leading to a surge in streaming releases. However, as the dust settled, it became evident that there is nothing quite as profitable as a