IMAX, a leader in immersive cinematic experiences, has appointed Heather Morgan as its new Head of Global Distribution, marking a strategic shift as the company continues to evolve in the competitive landscape of the film industry. Morgan succeeds Craig Dehmel, who served the company for an impressive nine years and significantly shaped IMAX’s trajectory during
Box Office
This year’s specialty box office is resonating with audiences as bold documentaries and gripping dramas take center stage, enticing viewers with rich narratives and powerful themes. Notably, Magnolia Pictures’ “Prime Minister,” a documentary hailing from the Sundance Film Festival, stands tall amidst this vibrant lineup. Directed by Michelle Walshe and Lindsay Utz, this compelling film
In a significant movement within the entertainment analytics landscape, The Quorum—a research and tracking firm founded by the savvy David Herrin—has transitioned under the umbrella of Greenlight Analytics. This acquisition marks an important strategic alignment for both companies, merging The Quorum’s renowned forecasting capabilities with Greenlight’s fresh approach to data analytics. As the industry grapples
In an unprecedented resurgence, Disney’s *Lilo & Stitch* has not only captivated audiences but has also secured a commendable foothold at the global box office. After its third weekend of release, this animated feature has amassed a staggering total of $772.6 million worldwide, with its sights firmly set on crossing the $800 million mark in
The excitement surrounding the release of “Ballerina,” a spinoff from the acclaimed John Wick franchise, has captured the attention of both fans and the industry. With previews projected to rake in between $3.5 million and $4 million, the film is positioned to make an impressive entrance, especially given the inclusion of special fan screenings on
In a remarkable demonstration of audience excitement, 28 Years Later, the latest installment in the iconic horror franchise, has shattered prior records with its extraordinary advance ticket sales. Just 24 hours after its release, the film raced ahead of its competitors, amassing an unparalleled interest among horror enthusiasts. This notable surge in pre-sales eclipses not
Disney’s live-action Snow White, featuring the talents of Rachel Zegler and Gal Gadot, has been under a cloud of scrutiny long before its anticipated release. However, amidst the turmoil, the forthcoming unveiling on Disney+ on June 11 paints a picture that might yet surprise critics and fans alike. This 82-day theatrical window speaks volumes about
In a decisive moment for California’s film and television industry, the California Senate has overwhelmingly backed Senate Bill 630 with a remarkable 34-1 vote. This legislative effort seeks to reshape the state’s Film and Television Tax Credit Program, a critically important tool in maintaining California’s status as a premier destination for filmmaking. The only dissenting
Sony’s latest installment in the beloved Karate Kid franchise, titled *Karate Kid: Legends*, has sparked significant interest, grossing an impressive $2.3 million from previews that kicked off Thursday at 2 p.m. This film not only attempts to capture the nostalgia of longtime fans, featuring Ralph Macchio’s iconic Daniel-san and Jackie Chan’s Mr. Han, but also
In a cinematic landscape saturated with blockbuster franchises and formulaic romances, Angel Studios presents a refreshing breathe of air with its upcoming romantic comedy, “Solo Mio.” Directed by the creative minds of Chuck Kinnane and Dan Kinnane, this film marks a notable leap for both the studio and the genre. With a theatrical release date
As the cinematic landscape heats up this summer, audiences find themselves in for a treat. Following an unprecedented Memorial Day weekend, which recorded a staggering $330 million haul, it’s clear that the summer box office is poised for an exhilarating ride. With a diverse lineup of films catering to a wide array of tastes, moviegoers
In a captivating shift into the horror genre, Vietnamese cinema steps onto the international stage with “Detective Kien: The Headless Horror.” Under the adept direction of Victor Vu, renowned for his previous critically acclaimed works, the film has quickly become the pinnacle of horror thrillers in Vietnam. Set against the rich backdrop of the Nguyen
As the sun sets on Memorial Day weekend, Hollywood appears ready to reclaim its rightful position at the box office with an electrifying lineup. After last year’s disappointing outing led by the lackluster reception of “Furiosa,” studios are now keenly aware that this holiday weekend should be about cinematic spectacle. With the debut of two
Broadway is a realm that intertwines art and commerce, especially prominent during the critical months leading up to the Tony Awards. As the June 8 awards ceremony approaches, the dynamics of box office performance fluctuate significantly, reflecting not just the nominations themselves, but the broader public sentiment towards these productions. In this analysis, we will
The African film industry is undergoing a renaissance, and central to this vibrant movement is the Democratic Republic of Congo, with its rich cultural and historical backdrop. The recent acquisition of the pan-African rights to the historical thriller “Rumba Royale” by Pathé Touch Afrique is a significant step in elevating Congolese cinema on the continental
Warner Bros. is experiencing a vibrant surge in box office success, primarily due to the much-anticipated release of New Line Cinema’s horror reboot, *Final Destination: Bloodlines*. Early reports indicate that the film amassed approximately $4.6 million during its Thursday night previews. This remarkable figure is only slightly behind the studio’s previous horror flick, *Sinners*, which
Lionsgate’s upcoming release, *From the World of John Wick: Ballerina*, is setting the stage for an action-packed debut come June 6. Directed by Len Wiseman and featuring Ana de Armas in the titular role, this film is being closely monitored as it gears up for a projected opening weekend gross between $35 million and $40
The return of the “Final Destination” franchise after a 14-year hiatus has generated unprecedented anticipation, as demonstrated by “Bloodlines,” the latest installment from New Line Cinema. This horror sequel is eyeing a remarkable opening weekend revenue range of $35M to $40M across approximately 3,400 theaters. With a global projection of around $70M, this film is
In what can only be described as a remarkable renaissance, Broadway has shattered its own post-pandemic records, racking up a staggering $1,801,023,860 in box office receipts for the 2024-2025 season thus far. This figure surpasses the previous record set during the pre-pandemic season of 2018-2019, demonstrating not just resilience but a vibrant return to form
In a recent surge at the global box office, Marvel Studios’ *Thunderbolts* has amassed an impressive $272.2 million following its second week. This anchor of Marvel’s cinematic universe continues to draw audiences, enjoying a robust international performance with a cumulative total of $143.7 million—a testament to its enduring popularity. Although the film experienced a 52%
As Marvel Studios’ latest venture, *Thunderbolts*, takes to the big screen, it showcases the iconic franchise’s enduring power over the box office. Estimated to rake in around $30 million during its second weekend, the film is projected to experience a 60% drop from its impressive opening figures. Such a decline, while typical for most blockbusters,
In a transformative move for the South Korean film industry, the anticipated merger between Lotte Cinema and Megabox is poised to redefine the
AMC Entertainment faced a tumultuous first quarter of 2025, marked by declining revenues and widening net losses. With a net loss ballooning to $202 million—up from $163 million in the same quarter last year—CEO Adam Aron reminds stakeholders that these results are a misleading representation of the overall health of the cinema industry. While the
In a significant move that signals a fresh vision for independent cinema, IFC Films has announced its rebranding to Independent Film Company (IFC). This change isn’t merely cosmetic; it represents a profound strategy to enhance its visibility within the sprawling network of AMC Networks. Under the new identity and the newly minted IFC Entertainment Group,
In an era where cinematic storytelling often leans towards escapism and entertainment, the upcoming release of Brandt Andersen’s film *The Strangers’ Case* sets a profound precedent. Scheduled for a limited theatrical unveiling on December 25, expanding into January, this feature drama is not just another film; it’s a voice for those often silenced in the
The eagerly anticipated comedy-action film, *Three Bags Full: A Sheep Detective Movie*, produced by Amazon MGM Studios, has made waves with its recent shift from February 20, 2026, to a prime slot on November 13, 2026. This strategic adjustment is a clear indication of the studio’s intent to attract family audiences during the pre-Thanksgiving corridor,
The arrival of Marvel Studios’ latest installment, *Thunderbolts*, is generating buzz across the film industry, with reports indicating an impressive opening night tally of approximately $11 million. Drawing insights from non-Disney sources, this figure positions the film favorably, hinting at a potential resurgence in the summer box office following several months of cinematic uncertainty. Marvel
As this year’s Memorial Day weekend approaches, film enthusiasts are in for a treat with two blockbuster releases set to dominate the box office. Disney’s fresh live-action adaptation of the beloved 2002 animated classic, *Lilo & Stitch*, is projected to rake in an impressive $120 million over the four-day holiday, while Paramount’s *Mission: Impossible –
As Hollywood continues to reel from the evolving landscape of film distribution and revenue models, the year 2024 has surprisingly shone a spotlight on horror films as key players in turning profits. The focus of the entertainment industry is gradually shifting from the traditional box office model to considering downstream revenues, especially as streaming services
As the year 2024 unfolds, the returning Deadline’s Most Valuable Blockbuster tournament sheds a spotlight on a critical aspect of cinema’s evolving ecosystem—the aftermath of theatrical releases. The significance of a film transcends its box office performance; downstream revenues and various distribution windows now redefine what it means to be successful in the industry. While
Universal Pictures and Illumination Entertainment have once again demonstrated their prowess in the animation sector with “Despicable Me 4.” This franchise has successfully captured the hearts of audiences globally for over 15 years, and its most recent installment not only reinforces its appeal but also significantly contributes to its legacy. Surpassing the $5 billion mark
The weekend box office showcased an impressive array of cinematic experiences, with powerhouse events capturing the attention of audiences. Two standout films, Pink Floyd at Pompeii and The Met: Live in HD’s Le Nozze di Figaro, not only took center stage but highlighted the resilience and appeal of the arts in contemporary cinema. As various