Box Office

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The cinematic landscape is witnessing an exhilarating resurgence, particularly for AMC Theatres, the largest movie theatre chain in the world. With the recent pre-Thanksgiving weekend, AMC achieved an impressive milestone by recording its highest domestic revenue in its extensive 104-year history. Not only did this weekend mark a significant peak in admissions, but it also
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In a surprising twist in the contemporary film landscape, the latest animated feature “Flow,” co-produced by Sideshow and Janus Films, is making waves in its limited release. Initially debuting on just two screens, the film boasts an impressive per screen average grossing approximately $25,400, which elevates to about $50,800 when calculated for the two theaters
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The release of Amazon MGM Studios’ Christmas action film “Red One,” featuring heavyweights Dwayne Johnson and Chris Evans, has ignited discussions about its financial trajectory at the global box office. With projections hinting that the film will cross the $100 million mark, it’s essential to delve into not only its immediate box office figures but
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The upcoming film “Bring Them Down” is not just a cinematic experience; it represents a significant artistic milestone for its director, Christopher Andrews, who is taking the plunge into his feature filmmaking debut. Set to hit theaters on February 7, 2025, this MUBI production places a spotlight on a rich narrative that explores themes of
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As the holiday season approaches, Broadway is experiencing a juxtaposition of successes and struggles among its numerous productions. Recent box office results reveal various trends: some shows are thriving, enjoying increased ticket sales and filled seats, while others are battling lower attendance and lukewarm reviews. Broadway veterans like *Sunset Boulevard* continue to shine amidst the
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In a remarkable twist for the Filipino film industry, “Hello, Love, Again” has made history with its domestic release, achieving the highest opening weekend ever for a Filipino film, grossing over $2.4 million and securing the number eight spot on the charts. This romantic sequel, stemming from the success of “Hello, Love, Goodbye,” brings back
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The recent release of Amazon’s ambitious holiday film, *Red One*, starring popular actor Dwayne Johnson, has sparked a mixed bag of anticipation and skepticism among audiences and industry experts alike. With a production budget exceeding $200 million, the stakes are significantly high for Amazon MGM. Initial preview earnings of $3.7 million signal a shaky start,
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The much-anticipated sequel to Ridley Scott’s iconic 2000 film, *Gladiator*, is ready to return audiences to the epic grandeur of ancient Rome. *Gladiator II*, which has taken nearly a quarter of a century to come to fruition, seeks to reignite the swords-and-sandals genre in a contemporary context. Paramount’s overseas rollout, which commenced recently, marks a
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Alamo Drafthouse Cinema, a well-respected entity in the competitive theater industry, is undergoing a notable transformation in its leadership structure, potentially setting the stage for an invigorating new phase of operation and service delivery. The recent promotions of Dana Pearson and Alex Shullman to significant executive roles signals a clear intention to enhance the strategic
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In the unpredictable world of Broadway, where artistry meets financial viability, the hit musical revival of *Sunset Blvd.* has recently navigated turbulent waters, partially due to the social media activity of its star, Nicole Scherzinger. Her recent posts were perceived by many as politically charged, especially in a landscape still reeling from the last presidential
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As the opening date for Disney’s Mufasa: The Lion King approaches, projections are becoming increasingly intriguing. Early forecasts from the Quorum tracking service suggest that the film, which is set to debut on December 20, could rake in between $59 million and $66 million during its opening weekend. This estimation is highly significant, especially considering
Lionsgate has recently made noteworthy adjustments to its film release schedule, moving the highly anticipated Michael Jackson biopic, aptly titled “Michael,” from its original Easter weekend slot to a more favorable date of October 3, 2025. This strategic shift is likely motivated by a combination of competitive positioning and the desire to leverage potential awards
Robert Zemeckis, a director known for his pioneering spirit in both technological innovation and storytelling, has often pushed the boundaries of cinema. From the animated worlds of “Who Framed Roger Rabbit?” to the seamless merging of historic footage in “Forrest Gump,” Zemeckis has played a crucial role in shaping the landscape of modern filmmaking. However,
As the holiday season approaches, movie enthusiasts are eagerly anticipating a blockbuster showdown that is set to unfold just before Thanksgiving. Scheduled for release on November 22, Universal Pictures’ adaptation of *Wicked* and Paramount Pictures’ *Gladiator II* are making headlines with impressive projected openings of over $80 million and $65 million, respectively. The excitement surrounding
Fans of the Marvel Cinematic Universe (MCU) are gearing up for yet another adventure with everyone’s favorite wall-crawler, as the forthcoming, yet-untitled Spider-Man film is set to hit theaters on July 24, 2026. Tom Holland will reprise his role as Spider-Man, solidifying his status as the definitive face of the franchise. The excitement surrounding Holland’s
Broadway has once again proven its resilience and commercial viability, showcasing a remarkable surge in box office revenues during the autumn months. With major productions such as *Sunset Blvd.* and *Romeo + Juliet* igniting excitement among theater-goers, the financial landscape of Broadway is seeing a promising uptick. The box office figures speak for themselves, reflecting
The release of Sony’s *Venom: The Last Dance* has sent ripples through the international box office, particularly with its noteworthy debut in China. The film garnered an impressive $9.3 million on its opening day, marking it as the most successful launch for a superhero film in the region since *Spider-Man: Far From Home.* This strong
The art of cinema has long captured the hearts of millions, yet today, several industry players, including Landmark Theatres, find themselves grappling with severe financial difficulties. This predicament arose not only from the pandemic but also from rising interest rates and labor strife in Hollywood. Recent legal proceedings have shed light on the depth of
This past weekend saw an exciting resurgence of independent films at the box office, showcasing their significant potential to captivate audiences and generate impressive revenues. Leading this pack was “Anora,” which achieved an astonishing per-screen average of $90k across six locations, accumulating a remarkable total of $540k in gross revenue. This impressive figure sets a
As the film industry gears up for the holiday season, Disney’s upcoming release of Moana 2 has begun to generate significant buzz among audiences and industry professionals alike. Early tracking estimates suggest that the sequel could surpass the $100 million mark during its opening weekend, which runs from Wednesday through Sunday of Thanksgiving week. This
The ongoing legal dispute between New York real estate mogul Charles Cohen and Fortress Credit Corp. has captured considerable attention, spotlighting the precarious nature of high-stakes financial agreements. At the center of this conflict lies a substantial $530 million loan secured by multiple high-profile properties, including Landmark Theaters and the British arthouse chain Curzon. The
Ketchup Entertainment has captured the attention of animation aficionados with its announcement of the theatrical release of The Day The Earth Blew Up: A Looney Tunes Movie, set for February 28, 2025. Originally intended for the streaming service Max, this feature embodies a significant revival of beloved characters from the Looney Tunes franchise. Fans of