Box Office

Sources have revealed that the highly anticipated film, “Kingdom of the Planet of the Apes,” has had a strong start with previews raking in around $6.5 million. This includes money earned on Thursday night, which began accumulating at 3 PM, as well as an additional $1.6 million from fan shows on Wednesday evening. These numbers

Monkeypaw Productions, known for its unique and thought-provoking projects, is set to release Justin Tipping’s Him in theaters on Friday, Sept. 19, 2025. This highly anticipated film is currently the only wide release scheduled for that weekend, making it an event in itself. Him is the second Universal title on the calendar for that month,

Disney CEO Bob Iger recently announced the company’s decision to limit its output of Marvel movies to “two good films” a year, with a maximum of three. This strategic shift comes in response to high-profile misses in the Marvel franchise that have sparked conversations about “superhero fatigue.” In addition to reducing the number of films,

The journey to bring the beloved toy Barbie to life on the big screen was a tumultuous one. Multiple studios and producers were attached to the project over the years, with various actors considered for the lead role. However, it wasn’t until Warner Bros took over the project and cast Margot Robbie as Barbie that

A24’s recent release, I Saw The TV Glow, directed by Jane Schoenbrun, made quite an impact with its limited opening weekend. Grossing $116.3k at four theaters in New York and LA, the film achieved a remarkable per screen average of $29k. This ’90s era trans coming-of-age horror-thriller marks Schoenbrun’s second outing after the success of

The box office summer season kicked off with Universal’s release of the Ryan Gosling-Emily Blunt action comedy “The Fall Guy.” Despite high expectations, the movie only managed to bring in $3.15M from showtimes starting at 5 p.m. and Wednesday advance screenings. The film is projected to earn around $35M to $40M by the end of

In the wake of the Covid pandemic, the entertainment industry witnessed a significant shift in how movies were released. Theatrical day-and-date models were widely embraced by studios when cinemas were closed, leading to a surge in streaming releases. However, as the dust settled, it became evident that there is nothing quite as profitable as a

The landscape of the film industry has been evolving rapidly, especially in light of the challenges presented by the Covid-19 pandemic. While many studios experimented with the day-and-date model during the peak of the pandemic, it became evident that the true profitability lies in theatrical releases. Theatrical screenings serve as the perfect advertisement for a

AMC Entertainment’s decision to take Taylor Swift’s concert film, “The Eras Tour,” directly to theaters during a time when cinemas were struggling due to the ongoing pandemic was a bold and strategic move. By bypassing traditional studios and utilizing Taylor Swift’s massive social media following, AMC was able to generate significant revenue and attract a

As the world grappled with the challenges brought on by the Covid-19 pandemic, the entertainment industry saw a significant shift in how movies were released. Studios initially embraced the theatrical day-and-date model when cinemas were closed, allowing for simultaneous releases in theaters and on streaming platforms. However, it quickly became apparent that there is immense