Box Office

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After emerging from bankruptcy in the U.S. last summer, Regal parent Cineworld is now exploring various options for its UK business. Sky News reported that the world’s second-largest cinema operator has enlisted AlixPartners as a consultant and has reached out to potential bidders. The sale process is expected to run for several weeks, giving potential
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IFC Films has recently seen success with their indie horror films, with “A Violent Nature” becoming their second-best opening since “Late Night With The Devil.” Written and directed by Chris Nash, the film has grossed $2.1 million on 1,426 screens, marking IFC’s widest opening to date. This success is a testament to the growing popularity
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The recent post-holiday box office period has been disappointing, with all titles collectively grossing an estimated $68.6M. This represents a significant 66% decrease compared to the same period last year. The decline in box office revenue can be attributed to several factors, including lackluster film offerings and ongoing challenges faced by the theatrical exhibition industry.
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The recent release of Crunchyroll/Sony Pictures’ volleyball anime movie, Haikyu!! The Dumpster Battle, has made an impressive $800K in previews. Despite being a moderate wide release, the movie is already gaining attention. This success comes amidst stiff competition from other films like The Garfield Movie and Furiosa: A Mad Max Saga. The movie has garnered
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The film industry has been experiencing the repercussions of recent strikes, which have caused a downturn in moviegoing habits among audiences. While the market is flooded with new releases, the impact of the strikes is still being felt. This article will delve into the performance of two major movie releases over the weekend and analyze
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John Krasinski’s latest film, “Imaginary Friend,” made an impressive $1.75M in Thursday night previews, setting the stage for a potentially successful opening weekend. With a lack of recent live-action PG-rated features to compare to, predicting the overall box office performance is challenging. However, industry experts are forecasting a $40M haul, which would make it one
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Jane Schoenbrun’s I Saw Then TV Glow continues to impress at the box office, with an estimated $195k+ on 21 screens in its second week of release. The A24 film has garnered attention from a passionate fan base, particularly among young, male, and LGBTQ+ audiences. The director’s Breakthrough Artist award further solidifies the success of