Lynne Taylor-Corbett, a luminary in the world of dance, left behind a legacy that spans Broadway and Hollywood with her remarkable accomplishments as a choreographer. Born on December 2, 1946, in Denver, Colorado, her journey from a budding ballet dancer to an acclaimed choreographer underscores a life dedicated to the art of movement and theatrical expression. Taylor-Corbett passed away on January 12 at the age of 78 due to breast cancer, a poignant reminder of the fragility of life even amidst a storied career.
Raised in Denver, Taylor-Corbett showed an early affinity for dance, prompting her move to New York City after high school to join the esteemed School of American Ballet. Despite her aspirations, she soon realized that the traditional confines of ballet were not suited to her unique talents. In her own words, she revealed, “I was never really suited to be a ballet dancer, but I had a gift for theatricality and movement.” This self-discovery was pivotal, steering her towards a path of choreographic innovation. Instead of adhering strictly to the rigidity of ballet, Taylor-Corbett merged the technical precision of dance with the exuberance of theatrical performance, setting the stage for a prolific career ahead.
By the early 1980s, Taylor-Corbett had firmly cemented her reputation in the dance community. Her significant works with notable companies like the American Ballet Theatre and the City Ballet showcased her ability to create visually stunning pieces that resonated with both audiences and critics alike. Taylor-Corbett’s expertise was especially sought after for projects that required a blend of technical prowess and emotional depth. This versatility would become a hallmark of her style, finding expression across different mediums—from theatrical productions to film.
Her Broadway debut came in 1981 with “Shakespeare’s Cabaret,” but it was her work on the electrifying musical “Swing!” in 2000 that truly showcased her talent as both a choreographer and director. This production celebrated the rhythms of jazz and swing, incorporating classic hits that brought an infectious energy to the stage. Taylor-Corbett’s choreography not only elevated the performance but also became a defining feature of the Broadway landscape during its time, earning her nominations for prestigious awards.
Taylor-Corbett’s transition to Hollywood began with her groundbreaking work in the 1984 film “Footloose.” The choreography for Kevin Bacon’s iconic dance sequence established her as a formidable force in film as well. This moment was not only a pivotal point in Bacon’s career but also created a ripple effect that influenced a generation of dance in cinematic storytelling. The infectious joy in this scene resonated with audiences and remains a cultural benchmark, indicative of Taylor-Corbett’s ability to blend narrative and movement seamlessly.
Her contributions to cinema did not stop there; she continued to showcase her talent in films such as “My Blue Heaven,” “Vanilla Sky,” and “Bewitched.” Each project benefited from her adept choreography, adding layers of sophistication and entertainment value that distinguished her work. Taylor-Corbett’s cinematic influence extended the reach of her artistry beyond Broadway, making her a sought-after choreographer in Hollywood.
As news of Lynne Taylor-Corbett’s passing spread, tributes began to pour in, highlighting the considerable impact she had on the performing arts. Survived by her son, Shaun Taylor-Corbett, and her sisters, her legacy lives on through those she influenced and inspired during her considerable career. Her work not only enriched the world of theater and dance but also opened doors for future generations of choreographers seeking to innovate and express through movement.
In celebrating her life, one must observe the imprint Lynne Taylor-Corbett has left on the worlds of dance and theater—a true pioneer whose work transcended genres and mediums. As we reflect on her significant contributions, we recognize the continuity of creativity and inspiration that her legacy provides for aspiring artists everywhere.