As anticipation builds for Disney’s live-action adaptation of the beloved animated classic “Lilo & Stitch,” fans are both excited and apprehensive about this reimagined project set to hit theaters on Memorial Day weekend. Following in the footsteps of its animated predecessor, this film promises to blend the quaint charm of Hawaiian culture with the whimsical
The European Producers Club (EPC) has made a significant decision with the appointment of Julie-Jeanne Régault as its new Managing Director. This transition comes at a critical time for the association, which has been a beacon for independent production companies across Europe for over three decades. Régault steps into this pivotal role, succeeding Alexandra Lebret,
The announcement of a U.S. tour for Alain Guiraudie’s film “Misericordia” is not merely a release; it’s a cultural event that encapsulates the complexity of human emotions. Set to launch in March across five major cities, including New York, Los Angeles, and San Francisco, the film is grabbing attention far beyond the typical release window.
The revival of *Othello*, currently captivating audiences at Broadway’s Barrymore Theatre, has propelled itself into an elite financial realm, achieving a phenomenal weekly gross of $2,818,297. This impressive figure not only marks the production as the highest-grossing play in Broadway history for a week—surpassing the previous record held by *Harry Potter and the Cursed Child*—but
Wendi McLendon-Covey, the beloved star of “The Goldbergs,” is taking a significant leap in her career by co-founding Strong Beach Productions alongside her longtime manager, Gladys Gonzalez. This new venture marks an exciting shift from the typical actor-producer relationship. Instead of merely participating in projects, they intend to be the architects, controlling every aspect from
In a striking turn of events, the dismissal of Elizabeth G. Oyer, a high-ranking attorney for the Justice Department, has sparked serious debate about the intertwining of celebrity status and legal procedures. Oyer’s termination highlights a troubling issue within the Justice Department regarding the allowance of influence, notably from figures in the entertainment industry. This
In a cinematic landscape bustling with predictable plots and formulaic character arcs, Justin Kelly’s forthcoming thriller, “Pretty Thing,” brims with audacious promise. Acquired by Shout! Studios for North American distribution, this sexually charged film has introduced a refreshingly bold narrative that centers on complex relationships woven through layers of obsession and intrigue. Starring Alicia Silverstone—an
The world of cinema witnessed a monumental shift this past weekend as Bong Joon-ho’s latest sci-fi endeavor, Mickey 17, debuted with impressive fervor in multiple international markets. As Warner Bros strategically expanded its reach, the film began its offshore release after a successful opening precisely in South Korea, the director’s homeland. With such an eagerly
In a cinematic landscape where sequels often pale in comparison to their originals, Gavin O’Connor’s long-awaited follow-up, *The Accountant 2*, manages to defy the odds. Nearly ten years after the subdued reception of *The Accountant* (2016), we see the return of Christian Wolff, portrayed compellingly by Ben Affleck. What could have easily turned into a
As fans of “Sex and the City” cheer for Charlotte York’s seemingly perfect union with Harry Goldenblatt, it’s hard to ignore the ghost of her past that lingers in the shadows, embodied by her ex-husband, Trey MacDougal. Actress Kristin Davis, who brilliantly portrays Charlotte, recently dropped intriguing hints on her podcast “Are You A Charlotte?”
Channel 4’s upcoming airing of *Candy: A Death in Texas* marks a compelling exploration of morality and consequence through the lens of a notorious homicide that shook a community in the 1980s. The five-part miniseries, rooted in the brutal axe murder of Betty Gore, follows the accused, Candy Montgomery—played by the multifaceted Jessica Biel—whose alleged
The debut of “Glorious Summer,” directed by the innovative Polish duo Helena Ganjalyan and Bartosz Szpak, marks a notable moment in contemporary cinema, especially as it aligns with International Women’s Day celebrations that emphasize female empowerment globally. This first feature film shines a spotlight on the nuanced interactions among women confined within the walls of
The cinema industry has experienced a seismic shift in the wake of the COVID-19 pandemic. The once-sacrosanct theater, a bastion of cinematic artistry and a cultural touchstone, has faced dwindling attendance and mounting competition from streaming services. To reclaim their audiences, theaters are innovating by rebranding the movie-going experience as a comprehensive entertainment destination. This
Paul Feig’s venture into the realm of sequels with “Another Simple Favor” is nothing short of audacious. Coming five years after its predecessor, the film expertly interlaces the dramatic consequences of past actions with a contemporary twist. The narrative threads weave an intricate tapestry of friendships, betrayals, and, unsurprisingly, a fair dose of comedic chaos.
Warner Bros and Plan B Entertainment’s latest cinematic endeavor, *Mickey 17*, has taken the box office by storm with an impressive $2.5 million in previews across 3,200 locations. Directed by the visionary Bong Joon Ho, known for his boundary-pushing storytelling, the film showcases the limitless potential of science fiction. The anticipation surrounding *Mickey 17* is