Last week, during a lunch with a friend who was a prominent figure in the indie film industry, our conversation naturally turned towards movies. We discussed the usual topics of aches and pains, the passing of colleagues, and the unfortunate closure of our favorite restaurants. However, our discussion took an unexpected turn when we broached the subject of movies we had enjoyed recently. To my surprise, my friend mentioned the film “Wonka” as his top pick. He described it as a delightful surprise, captivating and well worth watching on the big screen. What added to his enjoyment was the unexpected inclusion of delightful music throughout the film. On the other hand, I expressed my fondness for “Drugstore June,” a film that hasn’t been released yet but which I had the privilege of previewing. This small yet hilarious film perfectly fits into my favorite genre: the off-center charmer that turns the world upside down. Films like “Bringing Up Baby,” “What’s Up Doc?,” and “Clueless” immediately come to mind. “Drugstore June” stars Esther Povitsky, who also co-wrote the film alongside director Nick Goossen.
Our discussion several days later led us to an astonishing realization that had eluded us until then. The two highest-grossing movies of 2023, “Barbie” and “The Super Mario Bros. Movie,” both comedies, collectively earned over $1.2 billion in domestic ticket sales. This occurrence was rather unprecedented, as the last time comedies dominated the box office was in 1988 with “Who Framed Roger Rabbit?” and “Coming to America.” These two films alone brought in approximately $384 million. Following closely behind were another set of comedic hits, namely “Good Morning, Vietnam,” “Big,” “Crocodile Dundee II,” and “Three Men and a Baby.” Clearly, my friend and I are not the only ones seeking a lighthearted escape when watching movies nowadays. Rather than aiming to rebuild society or tackle the injustices of the world, we yearn for simple enjoyment. We crave laughter, catchy songs, and a temporary reprieve from the pressures and discomfort of our increasingly complex society. It seems that “Wonka,” “Drugstore June,” “Barbie,” and “Mario” are just a few examples of films, regardless of their scale, that provide levity and ease the burdens of life for a few short hours.
Coincidentally, my thoughts on this topic perfectly align with my expectations for the upcoming Golden Globes ceremony, in which Penske Media, the parent company of Deadline, holds a stake. As the evening approaches, my sincere wish is for the ceremony to be a fun and enjoyable experience for all. Let there be laughter and merriment reminiscent of the carefree spirit of 1988. While we may have numerous challenges and troubles to confront come morning, for one night, let us bask in the pleasure of entertainment that brings joy and laughter into our lives. Let the Golden Globes not just be an award show, but a celebration of the power of comedy and its ability to lighten our hearts and minds.