The sequel to Twisters has caused quite a stir among fans of the original film. Director Lee Isaac Chung made a bold decision to deviate from the romantic comedy conventions of the 90s in the new installment. Despite filming a kiss between the characters Kate Cooper and Tyler Owens, played by Daisy Edgar-Jones and Glen Powell respectively, Chung ultimately chose not to include it in the final scene. This departure from the typical Hollywood endings left many viewers divided.
Chung revealed that he decided to forgo the kiss in the final scene because he believed that audiences today have different expectations when it comes to romantic endings. The director explained that he wanted to give Kate Cooper a more meaningful conclusion to her character arc, one that did not revolve around a kiss. This decision aimed to subvert the traditional narrative structure and offer a fresh perspective on romance in cinema.
The chosen ending of Twisters sees Kate and Tyler embarking on a new storm-chasing adventure together, rather than sharing a romantic kiss. Chung justified this choice by highlighting Kate’s independence and resilience as a character. By ending the film with her pursuing her passion with a smile on her face, the director wanted to convey a message of empowerment and self-fulfillment. This departure from the expected romantic resolution resonated with both the actors and the audience.
Both Daisy Edgar-Jones and Glen Powell appreciated the unconventional ending of Twisters. Edgar-Jones expressed her satisfaction with the characters’ equality and shared interests, as well as the absence of a clichéd romantic finale. Powell, despite jokingly questioning his on-screen abilities, acknowledged the significance of portraying a relationship based on mutual respect and common goals. The evolution of romantic endings in Twisters reflects a shift towards more nuanced and empowering narratives in contemporary cinema.
Twisters challenges traditional romantic comedy tropes by offering a refreshing and empowering take on relationships and endings. By prioritizing character development and individual growth over a conventional romantic resolution, the film sets a new standard for storytelling in the genre. The evolution of romantic endings in Twisters signifies a broader shift towards more authentic and diverse representations of love and partnership in modern cinema.